MySikhi: A Digital Bridge Between Sikhi and the Modern World

In a world where technology shapes how we live, learn, and connect, spirituality often struggles to find its space. But in 2010, two visionaries—Satbir Singh Thakral and Gurmeet Singh—saw a unique opportunity to harness the power of mobile technology to deepen the connection between Sikhs and their faith. At a time when Sikh-centric digital tools were practically nonexistent, they co-founded MySikhi, one of the earliest Sikh mobile apps designed to bring Gurbani and Sikh teachings to the fingertips of a global community. 

Back when app ecosystems were just emerging, and faith-based platforms were few and far between, their initiative was groundbreaking. More than a tech venture, it was an act of seva—a sincere commitment to serve the Panth by making Gurbani accessible, understandable, and integrated into daily life. Their early leap into this space not only filled a void but set a new standard for how Sikh heritage could be preserved and passed on in the digital age. 

Founders Rooted in Seva and Vision

Both Satbir Singh Thakral and Gurmeet Singh brought to the table not only technical acumen but a deep reverence for Sikh principles. Their backgrounds are rooted in community service, education, and a lifelong dedication to Sikhi. Their collaborative vision was clear: to create a platform that didn’t just display text but immersed users in the spiritual depth of Gurbani, regardless of where they lived or what language they spoke.

In an increasingly globalized world where younger generations are more fluent in English than Gurmukhi, and often disconnected from traditional learning systems, they envisioned an app that could act as a lifeline to Sikhi—available anytime, anywhere.

What is MySikhi?

MySikhi is more than just a mobile application—it's a spiritual companion for every Sikh. Designed for both beginners and seasoned practitioners, the app serves as a central hub for Sikh prayers, teachings, and resources, offering an intuitive, accessible, and beautifully designed interface that speaks to all age groups.

Whether you're commuting, traveling, or just winding down for the day, MySikhi ensures that Gurbani is always just a tap away.

Features That Empower and Enlighten

What sets MySikhi apart is its thoughtful and comprehensive suite of features tailored to every Sikh’s spiritual journey:

• Daily Hukamnama from Sri Harmandir Sahib: Start your day with the divine message directly from the Golden Temple.
• Complete Nitnem Banis: Morning, evening, and bedtime prayers presented in Gurmukhi, English transliteration, and translation, helping users understand the meaning behind each word.
• Audio Playback: Follow along with soothing recitations of Gurbani, perfect for memorization, meditation, or simply spiritual nourishment.
• Gurbani Search: Quickly find shabads, keywords, or meanings with an advanced search function that spans across the Guru Granth Sahib.
• Learning Resources: Educational tools about the Ten Gurus, Sikh history, key principles, and lifestyle practices.
• Customizable Settings: Personalize your reading experience with adjustable fonts, themes, and language preferences.

All of this is wrapped into a clean, distraction-free interface that honors the sanctity and simplicity of Sikh scripture.

A Global Impact

Since its inception, MySikhi has quietly grown into a household name within Sikh digital spaces, with users from across North America, the UK, Australia, Canada, Malaysia, and India. With tens of thousands of downloads, it serves as a spiritual anchor for those living far from Gurudwaras or traditional learning environments.

Its widespread adoption by parents, educators, students, and working professionals speaks to its universal appeal and multi-generational relevance. Whether it’s a grandmother in Punjab revisiting old shabads or a teenager in Toronto discovering Nitnem for the first time, MySikhi bridges the generational divide with ease and grace.

Leading the Sikh Digital Movement

As one of the earliest Sikh apps on the market, MySikhi has inspired a new wave of Sikh digital content creators and developers. It proved that there is both a need and a hunger for high-quality, respectful, and functional tools that support the Sikh way of life. By continuing to innovate—while staying true to its core mission of seva—MySikhi remains at the forefront of this growing movement.

The platform is also a testament to how faith and technology can harmoniously co-exist, empowering individuals not just to consume information, but to live their spirituality in everyday moments.

Looking Ahead

With plans to expand its offerings and continue improving user experience, MySikhi is committed to preserving the past while embracing the future. From incorporating more multilingual support to integrating community features, the founders continue to explore how the app can serve evolving spiritual and educational needs.

In an age of digital distractions, MySikhi offers clarity. In a time of disconnection, it offers belonging. And in a fast-moving world, it offers the timeless wisdom of Gurbani—one verse at a time.

Hello, World!

Guru Gobind Singh Ji

Introduction

Guru Gobind Singh Ji, the tenth Guru of Sikhism, stands as a divine symbol of bravery, spirituality, and sacrifice. He was not only a spiritual master but also a fearless warrior, a poet, and a visionary leader who gave the Sikh faith its final form. His life and teachings continue to inspire millions around the world, especially in upholding righteousness and justice.

Birth and Early Life

Guru Gobind Singh Ji was born on 22nd December 1666 in Patna Sahib, Bihar, India. His birth name was Gobind Rai. He belonged to the Sodhi lineage, a prominent family in Sikh tradition. His early years were filled with spiritual learning, physical training, and exposure to the wisdom of Sikh philosophy.

Family and Father

Guru Gobind Singh Ji was the son of Guru Tegh Bahadur Ji, the ninth Guru of Sikhism, and Mata Gujri Ji. Guru Tegh Bahadur Ji was known for his unmatched sacrifice. He gave up his life to protect the religious freedom of Hindus against forced conversions by the Mughal emperor Aurangzeb. 

 Guru Gobind Singh Ji’s four sons, known as the Sahibzade—Ajit Singh, Jujhar Singh, Zorawar Singh, and Fateh Singh—are remembered for their extraordinary courage and sacrifice, all martyred at young ages defending their faith. The family’s legacy is a powerful example of devotion, bravery, and spiritual leadership that continues to inspire Sikhs worldwide

Major Contributions

1. Creation of the Khalsa (1699)

On Baisakhi Day in 1699, Guru Gobind Singh Ji created the Khalsa Panth—a community of saint-soldiers committed to protecting righteousness and fighting injustice. He gave the Sikhs a unique identity, the five Ks (Kesh, Kangha, Kara, Kachera, and Kirpan) and gave them the surname “Singh” (Lion) and “Kaur” (Princess), breaking caste divisions and empowering all.

2. Finalizing the Guru Granth Sahib Ji

Guru Gobind Singh Ji declared the Guru Granth Sahib Ji as the eternal Guru of the Sikhs. He ended the line of human Gurus, emphasizing that the divine wisdom resides in the scripture, not a person.

3. Literary Legacy

Guru Ji was a great poet and scholar. He composed many spiritual and heroic writings, compiled in Dasam Granth Sahib, which includes powerful compositions like Jaap Sahib, Bachitar Natak, and Zafarnama (his letter to Aurangzeb). His writings encourage strength, devotion, and divine love.

4. Martyrdom of His Four Sons (Chaar Sahibzaade)

Guru Gobind Singh Ji's four sons became martyrs in the fight against tyranny. The two elder sons, Ajit Singh Ji and Jujhar Singh Ji, died in battle. The younger sons, Zorawar Singh Ji and Fateh Singh Ji, were bricked alive by the Mughals for refusing to convert to Islam. Despite immense personal loss, Guru Ji remained strong, showing his commitment to a higher cause.

Banis of Guru Gobind Singh Ji

Guru Gobind Singh Ji was a prolific writer, philosopher, and poet. Many of his spiritual and heroic compositions are compiled in the Dasam Granth Sahib. These Banis are recited daily by Sikhs and instill both humility and fearlessness. Some of the most significant Banis include:

1. Jaap Sahib

A powerful hymn written in praise of God’s countless virtues and forms. Jaap Sahib emphasizes the limitlessness and formlessness of the Divine and is part of Nitnem (daily prayer).

2. Akal Ustat

Meaning "Praise of the Timeless One," this Bani glorifies the greatness and unity of God, emphasizing equality and the oneness of all creation.

3. Tav-Prasad Savaiye

A deeply moving Bani that rejects blind rituals and calls for internal devotion and divine understanding. Often recited as part of evening Nitnem.

4. Benti Chaupai Sahib

This prayer is for protection and spiritual strength. Sikhs recite it for courage, especially in challenging times.

5. Zafarnama

A Persian letter composed by Guru Ji and sent to Emperor Aurangzeb. In this, Guru Ji speaks truth to power, describing the emperor's broken promises and declaring the moral strength of a true Khalsa.

Creation of the Khalsa Panth

On Baisakhi 1699, Guru Gobind Singh Ji founded the Khalsa Panth, a fearless and spiritual brotherhood. He initiated the Panj Pyare with Amrit (Khande di Pahul) and gave the Khalsa its distinct identity with the Five Ks – Kesh, Kara, Kachera, Kangha, Kirpan. In a powerful gesture of equality, Guru Ji himself received Amrit from the Panj Pyare.

Conclusion

Guru Gobind Singh Ji's legacy is one of spiritual elevation and fearless living. Through his Banis, he infused Sikhs with divine wisdom. Through the Khalsa, he created a community that upholds justice and truth. His teachings continue to guide the world, reminding us to stay connected to Waheguru and to stand firm against oppression.

“Sava lakh se ek laraun, tabhi Gobind Singh naam kahaun.”
(I will make one fight against a hundred and twenty-five thousand – only then shall I be called Gobind Singh.)

Jaap Sahib IN PUNJABI (GURMUKHI)

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Jaap sahib in Punjabi (Gurmukhi): A Gateway to Spiritual Enlightenment

Jaap Sahib is one of the most powerful and spiritually uplifting banis (prayers) in Sikhism, composed by Guru Gobind Singh Ji, the tenth Sikh Guru. It is the opening composition of the Dasam Granth and is recited daily by devout Sikhs during their morning prayers (Nitnem). Written in a poetic blend of Sanskrit, Braj, Arabic, and Persian, it showcases the Guru's deep spiritual wisdom and mastery over languages.

Ik onkar satgur parsad.
JAAP
siri mukh vak paatshahi 10
chaupayee chhund. tav parsad.
chakar chehun ar burn, jaat ar paat nehun jeh
roop rung ar raikh, bhaikh kohoo keh na skut keh
achul mooret anbho parkas ametoje kehjai
koti eindar eindran saho sahan gnejai
tirbhavn maheep sur nar asur naiti naiti bun tirun keht
tav sarb nam kathai kavan karm nam barnt sumati. (1)

namustvun akalai, namustvun kirpalai
namustvun aroopai, namustvun anoopai (2)

namustun abhaikhai, namustun alakhai
namustun akaey, namustun ajaey. (3)

nabustun agunjai, namustun abhunjai
namustun anamai, namustun athamai. (4)

namustun akarmun, namustun adharmun
namustun anamun, namustun adhamun. (5)

namustun ajitai, namustun abhitai
namustun anahai, namustun adhahai. (6)

namustun anilai, namustun anadai
namustun achaidai, namustun aghadhai. (7)

namustun agunjai, namustun abhunjai
namustun oodharai, namustun aparai (8)

namustun so aikai, namustun anaikai
namustun abhootai, namustun ajoopai. (9)

namustun nirkarmai, namustun nirbharmai
namustun nirdeasai, namustun nirbhaisai. (10)

namustun nirnamai , namustun nirkamai
namustun nirdhatai, namustun nirghatai (11)

namustun nirdhootai, namustun abhootai
namustun alokai, namustun asokai. (12)

namustun nirtapai, namustun athapai
namustun tirmanai, namustun nidhanai. (13)

namustun aghahai, namustun athahai
namustun tirbargai, namustun asargai. (14)

namustun parbhogai, namustun sojogai
namustun arungai, namustun abhungai. (15)

namustun aghumai, namustsat rumai
namustun jalasrai, namustun nirasrai. (16)

namustun ajatai, namustun apatai
namustun amujbai, namustsut ajabai. (17)

adaisun adaisai, namustun abhaisai
namustun nirdhamai, namustun nirbamai. (18)

namo sarb kalai, namo sarb dayalai
namo sarb roopai, namo sarb bhoopai. (19)

namo sarb khapai, namo sarb thapai
namo sarb kalai, namo sarb palai. (20)

namsatsut devai, namustun abhaivai
namustun ajanmai, namustun sobanmai. (21)

namo sarb gounai, namo sarb bhounai
namo sarb rungai, namo sarb bhungai. (22)

namo kal kalai, namustst dayalai
namustun abarnai, namustun amarnai. (23)

namustun jararung, namustun kirtarun
namo sarb dhundhai, namo sutt abundhai. (24)

namustun nirsakai, namustun nirbakai
namustun rahimai, namustun karimai. (25)

namustun anuntai, namustun mahuntai
namustst ragai, namustun sohagai (26)

namo sarb sokhun, namo sarb pokhun
namo sarb karta, namo sarb harta. (27)

namo jog jogai, namo bhog bhogai
namo sarb dayalai, namo sarb palai. (28)

CHACHRI CHHUND – TAV PARSAD (By Your Grace)

aroop hain, anoop hain, ajoo hain abhoo hai(29)
alaikh hain, abhaikh hain, anam hain, akam hain. (30)
adhai hain, abhai hain, ajeet hain, abheet hain. (31)
tireman hain. nidhan hain, tirburg hain, asarg hain. (32)
anil hain, anadi hain, ajai hain, ajadi hain. (33)
ajanam hain, abarn hain, abhoot hain, abharan hain. (34)
agunj hain, abhunj hain, ajoojh hain, ajhunjh hain. (35)
amik hain, rafiq hain, adhundh hain, abundh hai. (36)
nirboojh hain, asoojh hain, akal hain, ajal hain. (37)
alah hain, ajah hain, anunt hain, mahunt hain. (38)
aleek hain, nirsrik hain, nirlumbh hain, asumbh hain. (39)
agum hain, ajum hain, abhoot hai, achoot hain. (40)
alok hain, ashok hain, akaram hain, abharm hain. (41)
ajit hain, abheet hain, atha hain, agah hain. (42)
aman hain, nidhan hain, anaik hain, phir aik hain. (43)

BHUJUNG PARYAT CHUND

namo sarb manai, smasti nidhanai
namo dev devai, abhaikhi abhaivai. (44)

namo kal kalai, namo sarb palai.
namo sarb gounai, namo sarb bhounai. (45)

anungi anathai, nirsungi parmathai
namo bhan bhanai, namo man manai. (46)

namo chundar chundrai, mamo bhan bhanai
namo geet geetai , namo tan tanai. (47)

namo nirat nirtai, namo nad nadai
namo pan panai, namo bad badai. (48)

anungi anamai, smusti sroopai
parbhungi parmathai, smusti bebhootai. (49)

klunkun bina, naiklunki sroopai.
namo raj rajai svrun parm roopai. (50)

namo jog jogai, svrun parm sidhai.
namo raj rajai, svrun parm birdhai. (51)

namo sustar panai, namo astar manai.
namo parm gayata, namo lok mata. (52)

abhaikhi abharmi abhogi abhugtai
namo jog jogai svrun parm jugtai. (53)

namo nit narayanai karoor karmai
namo prait aprait daivai sodharmai. (54)

namo rog harta, namo rag roopai.
namo shah shahai, namo bhoop bhoopai. (55)

namo dan danai,namo maun maunai
namo rog rogai, namustun eisnanun. (56)

namo muntar muntrun, namo juntar juntrun
namo eist eistai, namo tuntar tuntrun. (57)

sada sachdanund sarbun pransi, anoopai sroopai smustul nivasi. (58)

sada sidhi -da budhi -da bridhi karta
adho oordh ardhun aghun ogh harta (59)

prun parm parmesaisvrun proch palun,
sada sarbda sidhi data dyalun. (60)

achaidi abhaidi anamun akamun,
smasto praji smastsut dhamun. (61)

TERA JOR. CHACHERI CHHUND

Jale Hain, Thale Hain, Abheet Hain, Abhe Hain (62)

parbhu hain, aju hain, adais hain, abhais hain. (63)

BHUJUNG PARYAT CHHUND

agadhai, abadhai, anundi sroopai.
namo sarb manai, smusti nidhanai. (64)

namustvun nirnathai, namustvun parmathai
namustvun agunjai, namustvun abhunjai. (65)

namustvun akalai, namustvun apalai.
namo sarb daisai, namo sarb bhaisai. (66)

namo raj rajai, namo saj sajai.
namo shah shahai, namo mah mahai. (67)

namo geet geetai, namo preeet preetai.
namo rokh rokhai, namo sokh sokhai. (68)

namo sarb rogai, namo sarb bhogai.
namo sarb jeetun, namo sarb bheetun. (69)

namo sarb gyanun, namo parm tanun
namo sarb muntrun, namo sarb juntrun. (70)

namo sarb dirsun, namo sarb kirsun.
namo sarb runrungai, tirbhungi anungai. (71)

namo jiv jeevai, namo bij bijai.
akhiji abhijai, smustun parsijai. (72)

kirpalun sroopai kukarmun parnasi.
sada sarbda ridhi sidhun nivasi. (73)

CHURPAT CHHUND. TAV PARSAD (BY YOUR GRACE)

amrit karmai, abrit dharmai, akhal jogai, achal bhogai. (74)
achal rajai, atal sajai, akhal dharmun, alakh kamun. (75)
sarbun data, sarbun giyata, sarbun bhanai, sarbun manai (76)
sabun pranun, sabun tranun, sarbun bhugta sarbun jugta. (77)
sabun devun, sarbun bhavun, sarbun kalai, sarbun palai. (78)
ROOAL CHHUND. TAV PARSAD (BY YOUR GRACE)

adi roop anadi moorat ajoni purkh apar.
sarb maun trimaun dev abhaiv adi oodar.
sarb palak sarb ghalak sarb ko puni kal.
jatar tatar birajhi avdhoot roop rasal. (79)

nam tham na jati jakar roop rung na raikh
adi purkh odhar moorat ajoni adi asaikh
dais aur na bhais jakar roop raikh na rag
jatar tatar disa visa hoeh phailio anurag. (80)

nam kam beheen paikhat dham hoon neh jaeh.
sarb maun, sarbatar maun, sdev manat taeh
aik moorat anaik darsan, keen roop anaik
khail khaile, akhail khailun, aunt ko phir aik. (81)

dev bhive na janhi jeh baid aur kataib.
roop rung na jati pati so janhi keh jaib
tat mat na jati jakar jnam mran beheen
chakar bakar phirai chatur chak manhi pur teen. (82)

lok chaudah kai bikhai jug japhi jeh japu.
adi dev anadi mooret thapio sabai jeh thap.
parm roop pooneet mooret pooran purkh apar.
sarb bisv rachio soyunbhv garhan bhunjnhar. (83).
kal heen kla sunjugat akal purkh adais.
dharam dham so bharm rehat abhoot alakh abhais.
aung rag na rung jakeh jati pati na nam.
garb gunjan dust bhunjan mukat daeik kam. (84)

aap roop ameek an-ostat aik purkh avdhoot
garb ganjan sarb bhanjan adi roop asoot
aung heen abhung anatam aik purkh apar
sarb laeik sarb ghaeik sarb ko pritpar. (85)

Sarba Gaantaa Sarab Haantaa Sarab Te Anbhekh.
Sarba Saastar Na Jaanhee Jih Roop Raangu Aru Rekh.
Parma Beda Puraan Jaakahi Neti Bhaakhta Nita.
Kotti Siaanmriti Puraan Saastar Na Aavaeee Vahu Chiti ||8||86||

MUDHBHAR CHHUND. TAV PARSAD (BY YOUR GRACE)

gun gan oodar, mehma apar.
aasan abhung, oopma anung. (87)

anbhav parkas, nis din anas.
aajan baho, shahan shah. (88)

rajan raj, bhanan bhanu.
daivan dev, oopma mahan. (89)
indran inder, balan bal, runkan runk, kalan kal. (90)
anbhoot aung, aabha abhung, kati mit apar, gun gan oodar. (91)
muni gan parnam, nirbhai nikam
ati duti parchund, miti gati akhund. (92)
aalisiay karm, aadirsay dharam
sarba bharnadhay, andund badhay (93)

CHACHERI CHHUND TAV PARSAD (BY YOUR GRACE)

gobindai, mukanday, oodarai, aparai (94)
hariaun, kariaun, nirnamai, akamai. (95)

BHUNG PARYAT CHHUND

chatar chakr karta, chatar chakr harta.
chatar chakr danai, chatar chakr janai. (96)
chatar chakr varti, chatar chakr bharti
chatar chakr palai, chatar chakr kalai. (97)
chatar chakr pasai, chatar chakr vasai
chatar chakr maniay, chatar chakr daniay. (98)

CHACHERI CHHUND

na satrun, na mitrun, na bharmun, na bhitrun. (99)
na karmun, na kaey, ajunmun, ajaey. (100)
na chitrun, na mitrun, parai hain, pevtrun. (101)
pirthisai, aadisai, aadirsai, akirsai. (102)

BHAGVATI CHHUND TAV PARSAD (BY YOUR GRACE)

keh aachij daisai, keh aabhij bhaisai.
keh aagunj karmai, keh aabunj bharmai. (103)
keh abhij lokai, keh aadit sokai.
keh avdhoot barnai, keh bebhoot karnai. (104)
keh rajun parbha hain, keh dharmun dhuja hain.
keh asok barnai, keh sarba abharnai. (105)
keh jagtun kriti hain, keh chatrun chutri hain.
keh brhmun sroppai, keh anbho anoopai. (106)
keh adi adev hain. keh aap abhaiv hain.
keh chitrun beheenai. Keh aikai adheenai. (107)
keh rozi rjakai, reheemai rihakai.
keh pak beaib hain, keh gaibul gaib hain. (108)
keh aphvul gunah hain. keh shahan shah hain.
keh karan kunind hain, keh roji dehund hain. (109)
keh rajak reheem hain, keh karmun karim hain.
keh sarbun kli hain, keh sarbun dali hain. (110)
keh sarbatr gounai, keh sarbatr daniai.
keh sarbatr gounai, keh sarbatr bhounai. (111)
keh sarbatr daisai, keh sarbatr bhaisai.
keh sarbatr rajai, keh sarbatr sajai. (112)
keh sarbatr deenai, keh sarbatr leenai.
keh sarbatr jaho, keh sarbatr bhaho. (113)
keh sarbatr daisai, keh sarbtar bhaisai
keh sarbatr kalai, keh sarbatr palai. (114)
keh sarbatr hanta, keh sarbatr gunta
keh sarbatr bhaikhi, keh sarbatr paikhi. (115)
keh sarbatr kajai, keh sarbatr rajai keh sarbatr sokhai, keh sarbatr pokhai. (116)
keh sarbatr tranai, keh sarbatr pranai
keh sarbatr daisai, sarbatr bhaisai. (117)
keh sarbatr maniay, sadaivun pardhaniay
keh sarbatr japiay, keh sarbatr thapiay (118)
keh sarbatr bhanai, keh sarbatr manai
keh sarbatr indrai, keh sarbatr chundrai. (119)
Keh sarbun kleemai, keh parmun phaheemai
keh aakl alamai, keh sahib klamai. (120)
keh husnul vjoo hain, tmamul rujoo hain.
hamaisul slamai, sleekht mudamai. (121)
gnimul shikstai, greebul prastai
belundul mkanai, zmeenul zmanai. (122)
tmeejul tmamai, rujooal nidhanai
hreephul ajeemai, rjaeik yakeenai. (123)
anaikul trung hain, abhaid hain abhung hain
ajijul nivaz hain, gneemul khiraj hain. (124)
nirukt sroop hain, tirmukt bebhooti hain
parbhugt prbha hain. sojugt sudha hain. (125)
sdaivun sroop hain, abhaidi anoop hain.
smsto praj hain, sda sarb saj hain. (126)
smstul slam hain. sdaivul akam hain
nirbadh sroop hain, agadh hain anoop hain. (127)
oaun adi roopai, anadi sroopai
anungi anamai, tirbhungi tirkamai. (128)
tirbargun tirbadhai, agunjai agadhai
sobhun sarb bhagai, so sarba anuragai. (129)
tirbhugt sroop hain, achij hain, achoot hain.
keh narkun prnas hain. pirtheeul prvasi hain. (130)
nirukt prbha hain, sdaivun sda hain.
bebhugt sroop hain. prjugt anoop hain. (131)
nirukt sda hain, bebhugt prbha hain
anookt sroop hain, prjugt anoop hain. (132)

CHACHER CHHUND

abhung hain, anung hain, abhaikh hain, alaikh hain. (133)
abharm hain, akarm hain, anadi hain, jugadi hain. (134)
ajai hain, abai hain, abhoot hain, adhoot hain. (135)
anas hain, odas hain, adhundh hain, abundh hain. (136)
abhagat hain, birkat hain, anas hain, parkas hain. (137)
nechint hain, sonent hain, alikh hain, adikh hain. (138)
alaikh hain, abhaikh hain, adhah hain, agah hain. (139)
asubh hain, agunbh hain, aneel hain, anadi hain. (140)
anit hain, sunit hain, ajat hain, ajadi hain. (141)

CHACHERI CHHUND TAV PARSAD (BY YOUR GRACE)

sarbun hunta, sarbun gunta, sabun khiaata, sarbun giaata. (142)
sarbun hunta, sarbun karta, sarbun pranun, sarbun tranun. (143)
sabun karmun sabun dharmun, sabun jugta, sabun mukta (144)

RASAVAL CHHUND TAV PARSAD (BY YOUR GRACE)

namo sarb nasai, sdaivai prkasai
anungun sroopai, abhungun bebhootai (145)

prmathun prmathai, sda sarb sathai
agadh sroopai, nirbadh bebhootai. (146)

anungi anamai, titbhungi tirkamai
nirbhungi sroopai, srbungi anoopai. (147)

na potrai na putrai, na strai na mitrai.
na tatai na matai, na jatai na patai. (148)

nirsakun sreek hain, aunmto ameek hai
sdaivun prabha hain, ajai hain aja hain. (149)

BHAGWATI CHHUND TAV PARSAD (BY YOUR GRACE)

keh zihr zhoor hain, keh hazr hzoor hain.
hmaisul slam hain, smstul klam hain. (150)

keh sahib demag hain, keh husnul charag hain.
keh kamal krim hain, keh razak rheem hain. (151)

keh roji dehind hain, keh razak rhind hain
kreemul kamal hain, keh husnul jamal hain. (152)

gnimul kheraj hain, greebul nivaj hain
hreephul shikun hain, herasul phekun hain. (153)

klunkun prnas hain, smstul nivas hain.
agunjul gneem hain, rzaeik rheem hain. (154)

smstul zban hain,keh sahib keran hain
keh narkun prnas hain, behshtul nivas hain. (155)

keh sarbul gvnun hain, hamaisul rvun hain.
tmamul tmeez hain, smstul aziz hain. (156)

prun prm eis hain, smstul adees hain.
adaisul alaikh hain, hmaishul abhaikh hain. (157)

zmeenul zma hain, ameekul eima hain
kreemul kmal hain, keh jurat jmal hain. (158)

keh achlun prkash hain, keh amito sobas hain
keh ajb sroop hain, keh amito bebhooti hain. (159)

keh amito psa hain, keh aatm prbha hain
keh achlun anung hain, keh amito abhung hain. (160)

MDHUBHAR CHHUND TAV PARSAD (BY YOUR GRACE)

muni muni prnam, gun gn mudam
ari br agunj, hrinar prbhunj. (161)

angn prnam, muni mun slam
har nar akhund, bur nur amund. (162)

anbhav anas, muni mun parkas
gun gun prnam, jal thal mudam. (163)

anchij aung, aasan abhung.
oopma apar, gati mit oodar. (164)

jal thal amund, dis vis abhund.
jal thal mhunt, dis vis baiaunt. (165)

naubhv anas, dhirti dhar dhuras.
aajan bah, aikai sdahu. (166)
Oaunkar adi, kthni anadi.
khal khund khial, gur bur akal. (167)

ghar ghar prnam, chiti charn namu.
aachij gat, aajij na bat. (168)
anjhunj gat, anrunj bat.
antut bhundar, antht apar. (169)
aadeeth dharam, ati dheeth karm.
anbrn anunt, data mhunt. (170)

HARBOLMANA CHHUND TAV PARSAD (BY YOUR GRACE)

karunalay hain, ari ghalay hain.
khal khandan hain, meh mundan hain.(171)

jugtaisver hain, prmaisver hain.
kli karan hain, sarb oobaran hain. (172)

dhirt kai dharan hain, jug kai krn hain.
mun maniay hain jug janniay hain. (173)

sabun bhar hain, sabun kur hain.
sarb pasiay hain, sarb nasiay hain. (174)

krunakr hain, besvunbhr hain.
srbaisver hain, jgtaisver hain. (175)

brhmundas hain, khal khundas hain.
pur tai pur hain, krunakr hain. (176)

ajpajp hain, athpathp hain.
akirtakirti hain, aumritamirt hain. (177)

amiritamrit hain, krunakirti hain.
akirtakirti hain, dhurni dhirti hain. (178)

ametaisver hain, prmaisver hain.
akirtakirt hain, amirtamirt hain. (179)

ajbakirt hain, amirtamirt hain.
nar naeik hain, khal ghaeik hain. (180)

besvunbhur hain, krunalay hain.
nirpnaeik hain, sarb paeik hain. (181)

bhav bhunjan hain, ari gujan hain.
ripu tapan hain, jup japn hain. (182)

aklunkit hain, sarbakirti hain.
karta kar hain, harta hur hain. (183)

prmatm hain, sarbatm hain.
aatm bus hain, jus kai jus hain. (184)

BHUYUNG PRYAT CHHUND

namo sooraj soorjai amo chund chundrai
namo raj rajai namo eindr eindrai.
namo audhkarai namo taij taijai
namo birund birundai namo bij bijai. (185)

namo rajsun tamsun sant roopai
namo prm tutai atutun sroopai
namo jog jogai namo gian gianai
namo muntrun muntrai namo dhian dhianai. (186)
namo judh judhai namo gian gianai. namo bhoj bhojai namo pan panai.
namo kleh karta namo santi roopai. namo einder eindrai anandun bebhootai. (187)
klunkar roopai alunkar alunkai. namo aas aasai namo bank bunkai.
abhungi sroopai anungi anamai. tribhungi trekalai anungi akamai. (188)

AIK ACHRI CHHUND

ajai, alai, abhai, abai (189)
abhoo, ajoo, anas, akas.(190)
agunj, abhunj, alkh, abhkh. (191)
akal, dayal, alaikh, abhaikh.(192)
God is beyond name and desire. He is Unfathomable. He cannot be demolished. (193)
anathai, prmathai, ajoni, amoni. (194)
na ragai, na rungai, na roopai, na raikhai. (195)
akarmun, abharmun, agunjai, alaikhai. (196)

BHUJUNG PRYAT CHHUND

nmstul prnamai smstul prnasai
agunjal anamai smstul nivasai
nirkamung bebhootai smstul sroopai
kukrmun prnasi sudharmun bebhootai. (197)

sda sachdanund sutrun prnasi.
kreemul kuninda smstul nivasi
ajaeib bebhootai gjaeib gneemai
hreeaun kreeaun kreemul rheemai. (198)

chatr chakr varti chatr chakr bhugtai
soyunbhv sobhun sarbda sarb jugtai
dokalun prasi dayalun sroopai
sda aung sungai abhungun bebhootai. (199)

Historical Background of  jaap sahib

Jaap Sahib was composed by the tenth Sikh Guru, Guru Gobind Singh Ji, at Paonta Sahib, situated on the banks of the Yamuna River in Himachal Pradesh. This sacred Bani is part of the Dasam Granth, a scripture containing the writings and poetry of Guru Gobind Singh Ji.

Unlike traditional descriptions of God based on anthropomorphic images or religious boundaries, Jaap Sahib is a universal hymn. It describes the qualities and attributes of God in over 199 verses, using multiple languages—including Sanskrit, Braj, Arabic, and Persian—highlighting Guru Ji’s mastery of language and his inclusive vision of divinity.

Benefits of Reciting jaap sahib 

• Spiritual Strength

The rhythm and energy of Jaap Sahib uplift the spirit and instill confidence and courage.

• Mental Clarity & Focus

  Regular recitation improves concentration and brings inner peace by attuning the mind to divine virtues.

• Protection & Positivity

Jaap Sahib is often regarded as a spiritual armor that protects against negative energies and fears.

• Universal Understanding of God

It broadens one’s perception of the divine, removing narrow definitions and promoting oneness.

• Builds Discipline

Including it in your daily Nitnem builds a strong spiritual routine and instills discipline in life.

Cultural and Spiritual Impact

Spiritual Impact

Jaap Sahib has a deep spiritual impact, as it connects the soul directly with the divine by praising the countless attributes of Waheguru. Through its powerful verses, it helps the mind rise above ego, fear, and doubt, bringing inner peace and spiritual clarity. The bani emphasizes that God is beyond form, time, and comprehension, reminding the seeker of the Creator’s eternal presence. Regular recitation strengthens faith, builds mental resilience, and nurtures a fearless spirit. It transforms the devotee’s consciousness, guiding them toward a life of truth, humility, and divine awareness.

Cultural Impact

Jaap Sahib has had a profound cultural impact on Sikh identity and tradition. Composed by Guru Gobind Singh Ji, it empowered the Khalsa with spiritual strength and fearlessness. Its poetic and multilingual nature enriched Sikh literature and influenced devotional music. Jaap Sahib is recited during key ceremonies like Amrit Sanchar and is taught in Sikh schools and camps, helping youth connect with their roots. In the global Sikh diaspora, it serves as a spiritual and cultural anchor. The bani continues to inspire pride, unity, and devotion among Sikhs around the world.

FAQs Related to Jaap sahib

• 1. What is Jaap Sahib?

   Jaap Sahib is a Sikh prayer composed by Guru Gobind Singh Ji. It praises the countless qualities of God in poetic form.

• 2. Who wrote Jaap Sahib?

  Guru Gobind Singh Ji, the tenth Sikh Guru, composed Jaap Sahib. It is part of the Dasam Granth

• 3. In which language is Jaap Sahib written?

   It is written in a blend of Sanskrit, Braj Bhasha, Persian, and Arabic. This reflects Guru Ji’s mastery of multiple languages.

• 4. When should Jaap Sahib be recited?

   It is recited during morning Nitnem, ideally at Amrit Vela. It can also be read anytime for spiritual strength.

• 5. How long is Jaap Sahib?

  Jaap Sahib has 199 verses. It takes about 20–25 minutes to recite.

• 6. What is the main message of Jaap Sahib?

   It highlights that God is beyond form, fear, and time. It focuses on divine virtues rather than rituals.

• 7. Is Jaap Sahib part of Guru Granth Sahib?

   No, it is part of the Dasam Granth, not the Guru Granth Sahib. Both are respected in Sikh tradition.

• 8. Why is Jaap Sahib important in Sikhism?

   It builds inner strength, fearlessness, and divine connection. It’s also a key part of the Amrit Sanchar ceremony.

• 9. Can Jaap Sahib be recited without understanding it?

  Yes, its vibration still benefits the soul. However, understanding adds depth and awareness to the practice.

• 10. Where was Jaap Sahib composed?

   It was composed at Paonta Sahib by Guru Gobind Singh Ji. The location holds great historical and spiritual value.

Final Thoughts

Jaap Sahib is more than a prayer — it is a divine experience that uplifts the soul and strengthens the spirit. Composed by Guru Gobind Singh Ji, it embodies the essence of Sikh spirituality: fearlessness, devotion, and oneness with the Infinite. Whether recited in the quiet of dawn or during moments of struggle, its verses offer protection, clarity, and connection to Waheguru. In today’s fast-paced world, Jaap Sahib remains a timeless guide, reminding us of our true purpose and the boundless nature of the Divine.

Salok Mahalla 9 IN PUNJABI (GURMUKHI)

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ik oankaar sathigur prasaadh ||

salok mehalaa 9 ||

gun gobindh gaaeiou nehee janam akaarathh keen ||
kahu naanak har bhaj manaa jih bidhh jal ko meen ||1||

bikhian sio kaahae rachiou nimakh n hohi oudhaas ||
kahu naanak bhaj har manaa parai n jam kee faas ||2||

tharanaapo eio hee gaeiou leeou jaraa than jeeth ||
kahu naanak bhaj har manaa aoudhh jaath hai beeth ||3||

biradhh bhaeiou soojhai nehee kaal pehoochiou aan ||
kahu naanak nar baavarae kio n bhajai bhagavaan ||4||

dhhan dhaaraa sanpath sagal jin apunee kar maan ||
ein mai kashh sangee nehee naanak saachee jaan ||5||

pathith oudhhaaran bhai haran har anaathh kae naathh ||
kahu naanak thih jaaneeai sadhaa basath thum saathh ||6||

than dhhan jih tho ko dheeou thaan sio naehu n keen ||
kahu naanak nar baavarae ab kio ddolath dheen ||7||

than dhhan sanpai sukh dheeou ar jih neekae dhhaam ||
kahu naanak sun rae manaa simarath kaahi n raam ||8||

sabh sukh dhaathaa raam hai dhoosar naahin koe ||
kahu naanak sun rae manaa thih simarath gath hoe ||9||

jih simarath gath paaeeai thih bhaj rae thai meeth ||
kahu naanak sun rae manaa aoudhh ghattath hai neeth ||10||

paanch thath ko than rachiou jaanahu chathur sujaan ||
jih thae oupajiou naanakaa leen thaahi mai maan ||11||

ghatt ghatt mai har joo basai santhan kehiou pukaar ||
kahu naanak thih bhaj manaa bho nidhh outharehi paar ||12||

sukh dhukh jih parasai nehee lobh mohu abhimaan ||
kahu naanak sun rae manaa so moorath bhagavaan ||13||

ousathath nindhiaa naahi jihi kanchan loh samaan ||
kahu naanak sun rae manaa mukath thaahi thai jaan ||14||

harakh sog jaa kai nehee bairee meeth samaan ||
kahu naanak sun rae manaa mukath thaahi thai jaan ||15||

bhai kaahoo ko dhaeth nehi nehi bhai maanath aan ||
kahu naanak sun rae manaa giaanee thaahi bakhaan ||16||

jihi bikhiaa sagalee thajee leeou bhaekh bairaag ||
kahu naanak sun rae manaa thih nar maathhai bhaag ||17||

jihi maaeiaa mamathaa thajee sabh thae bhaeiou oudhaas ||
kahu naanak sun rae manaa thih ghatt breham nivaas ||18||

jihi praanee houmai thajee karathaa raam pashhaan ||
kahu naanak vahu mukath nar eih man saachee maan ||19||

bhai naasan dhuramath haran kal mai har ko naam ||
nis dhin jo naanak bhajai safal hohi thih kaam ||20||

jihabaa gun gobindh bhajahu karan sunahu har naam ||
kahu naanak sun rae manaa parehi n jam kai dhhaam ||21||

jo praanee mamathaa thajai lobh moh ahankaar ||
kahu naanak aapan tharai aouran laeth oudhhaar ||22||

jio supanaa ar paekhanaa aisae jag ko jaan ||
ein mai kashh saacho nehee naanak bin bhagavaan ||23||

nis dhin maaeiaa kaaranae praanee ddolath neeth ||
kottan mai naanak kooo naaraaein jih cheeth ||24||

jaisae jal thae budhabudhaa oupajai binasai neeth ||
jag rachanaa thaisae rachee kahu naanak sun meeth ||25||

praanee kashhoo n chaethee madh maaeiaa kai andhh ||
kahu naanak bin har bhajan parath thaahi jam fandhh ||26||

jo sukh ko chaahai sadhaa saran raam kee laeh ||
kahu naanak sun rae manaa dhuralabh maanukh dhaeh ||27||

maaeiaa kaaran dhhaavehee moorakh log ajaan ||
kahu naanak bin har bhajan birathhaa janam siraan ||28||

jo praanee nis dhin bhajai roop raam thih jaan ||
har jan har anthar nehee naanak saachee maan ||29||

man maaeiaa mai fadhh rehiou bisariou gobindh naam ||
kahu naanak bin har bhajan jeevan kounae kaam ||30||

praanee raam n chaethee madh maaeiaa kai andhh ||
kahu naanak har bhajan bin parath thaahi jam fandhh ||31||

sukh mai bahu sangee bheae dhukh mai sang n koe ||
kahu naanak har bhaj manaa anth sehaaee hoe ||32||

janam janam bharamath firiou mittiou n jam ko thraas ||
kahu naanak har bhaj manaa nirabhai paavehi baas ||33||

jathan bahuth mai kar rehiou mittiou n man ko maan ||
dhuramath sio naanak fadhhiou raakh laehu bhagavaan ||34||

baal juaanee ar biradhh fun theen avasathhaa jaan ||
kahu naanak har bhajan bin birathhaa sabh hee maan ||35||

karano hutho s naa keeou pariou lobh kai fandhh ||
naanak samiou ram gaeiou ab kio rovath andhh ||36||

man maaeiaa mai ram rehiou nikasath naahin meeth ||
naanak moorath chithr jio shhaaddith naahin bheeth ||37||

nar chaahath kashh aour aourai kee aourai bhee ||
chithavath rehiou thagour naanak faasee gal paree ||38||

jathan bahuth sukh kae keeeae dhukh ko keeou n koe ||
kahu naanak sun rae manaa har bhaavai so hoe ||39||

jagath bhikhaaree firath hai sabh ko dhaathaa raam ||
kahu naanak man simar thih pooran hovehi kaam ||40||

jhoothai maan kehaa karai jag supanae jio jaan ||
ein mai kashh thaero nehee naanak kehiou bakhaan ||41||

garab karath hai dhaeh ko binasai shhin mai meeth ||
jihi praanee har jas kehiou naanak thihi jag jeeth ||42||

jih ghatt simaran raam ko so nar mukathaa jaan ||
thihi nar har anthar nehee naanak saachee maan ||43||

eaek bhagath bhagavaan jih praanee kai naahi man ||
jaisae sookar suaan naanak maano thaahi than ||44||

suaamee ko grihu jio sadhaa suaan thajath nehee nith ||
naanak eih bidhh har bhajo eik man hue eik chith ||45||

theerathh barath ar dhaan kar man mai dhharai gumaan ||
naanak nihafal jaath thih jio kunchar eisanaan ||46||

sir kanpiou pag ddagamagae nain joth thae heen ||
kahu naanak eih bidhh bhee thoo n har ras leen ||47||

nij kar dhaekhiou jagath mai ko kaahoo ko naahi ||
naanak thhir har bhagath hai thih raakho man maahi ||48||

jag rachanaa sabh jhooth hai jaan laehu rae meeth ||
kehi naanak thhir naa rehai jio baaloo kee bheeth ||49||

raam gaeiou raavan gaeiou jaa ko bahu paravaar ||
kahu naanak thhir kashh nehee supanae jio sansaar ||50||

chinthaa thaa kee keejeeai jo anehonee hoe ||
eihu maarag sansaar ko naanak thhir nehee koe ||51||

jo oupajiou so binas hai paro aaj kai kaal ||
naanak har gun gaae lae shhaadd sagal janjaal ||52||

dhoharaa ||

bal shhuttakiou bandhhan parae kashhoo n hoth oupaae ||
kahu naanak ab outt har gaj jio hohu sehaae ||53||

bal hoaa bandhhan shhuttae sabh kishh hoth oupaae ||
naanak sabh kishh thumarai haathh mai thum hee hoth sehaae ||54||

sang sakhaa sabh thaj geae kooo n nibehiou saathh ||
kahu naanak eih bipath mai ttaek eaek raghunaathh ||55||

naam rehiou saadhhoo rehiou rehiou gur gobindh ||
kahu naanak eih jagath mai kin japiou gur manth ||56||

raam naam our mai gehiou jaa kai sam nehee koe ||
jih simarath sankatt mittai dharas thuhaaro hoe ||57||1||

Salok Mahalla 9 in Punjabi (Gurmukhi): A Gateway to Spiritual Enlightenment

Salok Mahalla 9 is a deeply spiritual composition found in the Guru Granth Sahib Ji, authored by the ninth Sikh Guru, Guru Tegh Bahadur Sahib Ji. These saloks (couplets) are not just poetic verses, but a treasure of divine wisdom, guiding souls toward detachment, contentment, and inner peace.

Historical Background of  Salok Mahalla 9

Guru Tegh Bahadur Sahib Ji (1621–1675), the ninth Guru of the Sikhs, composed these saloks during his extensive travels across the Indian subcontinent. He observed the struggles, attachments, and spiritual confusion of the common people and expressed timeless truths in the form of 57 saloks. 

Benefits of Reciting Salok Mahalla 9

• Peace of Mind

The saloks reduce anxiety and help you stay grounded by shifting focus from temporary problems to eternal truths.

• Detachment from Maya (Illusion)

You learn to live with less emotional dependence on material possessions and external validation.

• Moral Clarity

Guru Ji’s teachings bring a higher sense of right and wrong, helping you navigate life with wisdom.

• Spiritual Awareness

With regular recitation, your connection with Waheguru strengthens, leading to inner awakening.

• Cleansing of the Mind

 Just as water cleans the body, these saloks purify the mind from negativity, pride, and illusions.

Tips for Beginners

If you're new to Salok Mahalla 9, here are some suggestions to get started:

• Start Small

Begin with 2–3 saloks daily. Read them in Gurmukhi and use English or Punjabi translations for understanding.

• Use Audio Support

Listen to recitations or katha (explanations) to absorb pronunciation and context. Platforms like YouTube or the MySikhi app are helpful.

• Reflect & Journal

After reading, take a moment to reflect on what the salok is telling you. Note your thoughts in a journal.

• Daily Consistency

Set a fixed time (early morning or evening) to read or listen to these saloks. Regular practice builds deeper connection.

• Join Sangat (Community)

Discussing saloks in spiritual groups can enhance understanding and offer fresh perspectives.

Cultural and Spiritual Impact

Spiritual Impact

Salok Mahalla 9 guides the soul toward detachment, humility, and remembrance of Waheguru. It helps individuals reflect on the temporary nature of life and find peace in spiritual truth. Regular recitation brings inner clarity, reduces ego, and inspires a deeper connection with the Divine, ultimately leading one toward liberation and self-realization.

Cultural Impact

These saloks are deeply woven into Sikh traditions and daily practices. Often recited in Nitnem, funerals, and kirtan gatherings, they offer comfort and reflection during life’s transitions. Salok Mahalla 9 preserves Guru Tegh Bahadur Ji’s wisdom, continuing to shape Sikh values of courage, truth, and detachment across generations and cultural expressions.

FAQs Related to Salok Mahalla 9 

• 1. What is Salok Mahalla 9?

  It is a collection of 57 spiritual Saloks (verses) written by Guru Tegh Bahadur Ji, the 9th Guru of the Sikhs. These Saloks appear at the end of the Guru Granth Sahib Ji and offer deep reflections on life, death, and devotion.

• 2. Where is it found in Guru Granth Sahib Ji?

   The Saloks are found on Ang (page) 1426 to 1429.

• 3. Who composed these Saloks?

   These Saloks were written by Guru Tegh Bahadur Ji, hence "Mahalla 9" (Ninth Guru).

• 4. How many Saloks are there?

  There are 57 Saloks in total under Salok Mahalla 9.

• 5. What language is used?

   They are written in Braj Bhasha and Sant Bhasha, using the Gurmukhi script.

• 6. What is the core message of Salok Mahalla 9?

   These Saloks teach us:

  • Life is temporary.

  • Detach from ego and materialism.

  • Always remember Waheguru.

  • Practice humility and inner peace.

  • Naam Simran (meditation on God's Name) leads to liberation.

• 7. Why is it important in Sikhism?

   It holds timeless wisdom that helps one understand the reality of life and the path to spiritual growth. Many Sikhs read it for inner peace and clarity.

• 8. Is it part of Nitnem (daily prayers)?

   It’s not included in the standard Nitnem, but many Sikhs include it in their daily routine because of its deep meaning.

• 9. When is the best time to recite it?

  Anytime is good, but early morning (Amrit Vela) or before sleeping are ideal for calm focus.

Final Thoughts

Salok Mahalla 9 by Guru Tegh Bahadur Ji offers timeless wisdom on life, death, and spiritual truth. It reminds us that worldly attachments are temporary, and only God's Name is eternal.These Saloks encourage us to live with detachment, humility, and remembrance of Waheguru.They serve as a guide to inner peace in a chaotic world.Reading them regularly can bring clarity, strength, and spiritual growth.

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